Music for Sight Singing 10th Edition by Nancy Rogers, ISBN-13: 978-0134475455
[PDF eBook eTextbook]
- Publisher: ? Pearson; 10th edition (December 9, 2018)
- Language: ? English
- 464 pages
- ISBN-10: ? 0134475453
- ISBN-13: ? 978-0134475455
For courses in sight singing and music theory.
The most celebrated, engaging, and musical sight-singing text on the market.
A freshly updated edition of the classic musical textbook, Music for Sight Singing, 10th Edition, is structured around organized melodies, drawn from the literature of composed music and a wide range of the world’s folk music. Real music exercises allow readers to practice sight singing and develop their “mind’s ear,” the ability to imagine how music sounds without first playing it on an instrument. The new edition includes even more melodies and several new topics; improved introductions to minor keys, pre-dominant leaps, and chromaticism; and increased use of bass and C clefs – while retaining the simple-to-complex arrangement that lays the foundation for success.
Table of Contents:
RHYTHM: Simple Meters; The Beat and Its Division into Two Parts 2. MELODY: Stepwise Melodies, Major Keys
RHYTHM: Simple Meters; The Beat and Its Division into Two Parts 3. MELODY: Leaps within the Tonic Triad, Major Keys
RHYTHM: Simple Meters 4. MELODY: Leaps within the Tonic Triad, Major Keys
RHYTHM: Compound Meters; The Beat and Its Division into Three Parts 5. MELODY: Minor Keys; Leaps within the Tonic Triad
RHYTHM: Simple and Compound Meters 6. MELODY: Leaps within the Dominant Triad (V); Major and Minor Keys
RHYTHM: Simple and Compound Meters 7. THE C CLEFS: Alto and Tenor Clefs 8. MELODY: Further Use of Diatonic Leaps
RHYTHM: Simple and Compound Meters 9. MELODY: Leaps within the Dominant Seventh Chord (V7); Other Diatonic Seventh Leaps
RHYTHM: Simple and Compound Meters 10. RHYTHM: The Subdivision of the Beat: The Simple Beat into Four Parts, The Compound Beat into Six Parts 11. MELODY: Leaps within the Tonic and Dominant Triads
RHYTHM: Subdivision in Simple and Compound Meters 12. MELODY: Further Use of Diatonic Leaps
RHYTHM: Subdivision in Simple and Compound Meters 13. RHYTHM and MELODY: Syncopation 14. RHYTHM and MELODY: Triplet Division of Undotted Note Values; Duplet Division of Dotted Note Values 15. MELODY: Chromaticism (I): Chromatic Embellishing Tones; Tonicizing the Dominant; Modulation to the Key of the Dominant or the Relative Major 16. MELODY: Chromaticism (II): Tonicization of Any Diatonic Triad; Modulation to Any Closely Related Key 17. RHYTHM and MELODY: Changing Meter Signatures; The Hemiola; Less Common Meter Signatures 18. RHYTHM and MELODY: Further Subdivision of the Beat; Notation in Slow Tempi 19. MELODY: Chromaticism (III): Additional Uses of Chromatic Tones; Remote Modulation 20. MELODY: The Diatonic Modes 21. RHYTHM and MELODY: The Twentieth and Twenty-First Centuries
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